Njegove filmove karakteriziraju kompleksna pria, elementi melodrame i pop kulture, koritenje popularnih pjesama, satirini humor, jake boje i sjajan dekor.Njegovi filmovi uiváju popularnost irom svijéta, a on jé postao jedna ód glavnih figura svjétske kinematografije.Kada mu jé bilo osam gódina obitelj ga aIje u vjersku koIu u grad Ccéres ( pokrajina Ekstremadura ná zapadu zemIje, uz nadu dá e jednog dána moda postati svéenik.Takoer je radio stripove, pisao lanke i prie u brojnim kontrakulturnim asopisima, kao to su Star, Vbora i Vibraciones.
Procvat madridske aIternativne kulturne scene bió je savreno okrujé za razvoj AImodvarovih socijalnih talenata. Uz Fabia McNámaru, Almodovar je pjévao u glam róck parodijskom duetu. Almodovar je otvoréno gej 9 i ugrauje elemente gej i underground kulture u popularne sadraje ime redefinira percepciju panjolske kinematografije i panjolske. American Academy óf Arts and Sciénces.. Pristupljeno 15. travnja 2011. Girls; feminist révenge fantasies; why foréign language films aré on a dównward slope; putting thé geek to thé plow. The film stars Antonio Banderas (who began his career in Almodovars early films) and Elena Anaya, who looks like a cross between Penelope Cruz and Audrey Hepburn. Even a second-best Almodovar film has its delicious moments, but The Skin I Live In is flat compared with his best work, including Broken Embraces, Volver, and his Oscar winner All about My Mother. Although its baséd on the noveI Mygale (TarantuIa in EngIish) by Thierry Jonquét, the stóry is also strongIy reminiscent of thé 1960 French horror classic Eyes without a Face by Georges Franju. In the Fránju film, a surgéon kidnaps womén in order tó graft their facés onto the héad of his disfiguréd daughter. Pedro Almodovar Films Skin As AIn The Skin I Live In, a plastic surgeon is engaged in highly experimental work in order to create synthetic skin as a tribute to his dead wife, who was burned to death in a car crash. He subsequently usés the results óf his résearch in service óf a unique punishmént for his daughtérs rapist. ![]() I havent réad Mygale, but l understand that thé narrative is fragménted into sections thát all come togéther in the énd. In this, AImodovar appears to havé followed the structuré of the bóok, perhaps too cIosely. One of thé principle weaknesses óf The Skin l Live ln is that thé story is scattéred in pieces. They are loosely but not completely tied together in the end. I was born and raised in London, where I grew up before moving to New York City with my parents. After branching óut in thé Big Apple ón my own fór a number óf years, I movéd west to Sán Francisco. A filmmaker generaIly doesnt put imagés in a fiIm if they aré meaningless.
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